PHOTOVILLE: It was LIT!

What an AMAZING experience we had at New York City's 7th annual PHOTOVILLE! It was wonderful seeing our creative community come together for our ON ASSIGNMENT: FASHION IN THE REAL WORLD workshop and all of our talented attendees who brought their truly unique vision to the shoot. We're so incredibly grateful!

Now Presenting... this amazing video created by our awesome new collaborative partner ADULTR, who captured the energy and all around good vibes from the workshop! 

For those of you who aren't familiar with ADULTR, they are a creative agency focusing in content creation + brand collaborations with the mission of bringing diversity and inclusivity to the creative industry. Check 'em out when you get a chance. 

Below, a gallery of Photoville highlights from our fashion shoot workshop AND some moments captured from our Instant Photo Activity with Leica Sofort Cameras we hosted at the end of the festival.

A huge THANK YOU to all of our awesome partners Photoville, Adultr, Fotocare, Leica, models, volunteers and special guests Rockie Nolan, Tayler Smith and Official Rebrand – we couldn't have done this without your support!   

What is Photoville?  Only the biggest and best independent photography festival organized each year by the brawns and brains of United Photo Industries and a zillion big-hearted volunteers.  Featuring thought-provoking and vibrant exhibitions inside converted shipping containers from the likes of PDN, New York Magazine, VII agency, Magnum Foundation and more.

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PHOTOS: Casual Courtyard Portraits

We had a little fun at the last Student Show, grabbing a few dramatic portraits using a one-light setup in our casual Courtyard. A little preview of our Photoville workshop running this Saturday, everyone was assigned roles as photographer, lighting assistant or model. Pretty fun!

CLICK TO SEE FULL SCREEN

PHOTOS: #BKCShoutout Bob Loudon

 BOB LOUDON

BOB LOUDON

When he's not busy teaching biology to his students or looking after his new grandson, #BKCMember Bob Loudon is likely to be out exploring the city with his camera and producing lots of great images. In fact, he is one of our key members that consistently delivers thoughtful photos with unique perspectives for our monthly assignments.  Check out the interview below to learn more about Bob's interests in the environment and humanity and how it has influenced his work. 

#BKCShoutout is a weekly check-in with our students and active BKC members, posting their works-in-progress and achievements.  We hope to learn a little more about each photographer, and share about their inspiration, process and goals.  To be considered for a future #BKCShoutout, contact Lanna at lanna@wearebkc.com


Why do you make photographs?  What drives you?

As I’ve gotten older, I think what matters most are the connections we make with our humanity, with people. To me, photography is about sharing; sharing what I see when I travel to other parts of the world as well as when I walk out into my neighborhood. 

 

Who was your earliest inspiration and why?

I’m assuming photographic inspiration? Probably some of the great landscape and environmentalists photographers like Galen Rowell and Ansel Adams. I got my beginnings primarily as a landscape photographer and these two photographers, in particular, spoke to me with their love of nature and importance of protecting it. How they portrayed the essence of the natural world really and, in some cases, distant cultures not our own touched me. In recent years, a number of the great street photographers and photojournalists (Henri Cartier-Bresson, Brassai, Robert Doisneau, Edouard Boubat, Eugene Richards, Peter Turnley to name a few) are centermost in my life. 

 

Name 3 things that are essential to you:

 1) Others who love me in spite of myself.

2) Minimum of two cups of coffee a day.

3) To be able to go to sleep at the end of the day feeling that I’ve made the most of my time each day. 

 

Selected Works by Bob Loudon (click to see full view)

What makes you happy?

Being a grandparent, traveling (and then coming home!), making photographs.

 

How do you prepare yourself for each day? 

Always, always coffee first before I do anything! Usually, I skim over the news (scary to do these days!), try to have at least one hour of quiet, personal time before I head out of the house (I don’t like to rush out in the morning).

 

What themes or ideas do you strive to communicate in your work?   

I think the idea of people in the context of a place or particular environment. A lot of the cityscapes/street photos I make reflect this. In recent years, I’ve been greatly affected by the work of Peter Turnley and the connections he makes with people through his photography. There is a soulfulness, a love and respect for humanity in his work. I am, only very recently, attempting to infuse my work more with these beautiful ideas. How to make photographs that people can relate to and connect with and that portray the essence of humanity: this is what I am grappling with now.

 

Complete the sentence: I've never tried it before but I would love to ...

So, I’ve never tried it but I would love to put together and publish a photo book of some of my work.  

 

What do you do when you find yourself in a creative rut?

First, I put the camera down (sometimes for a few days) and I look at the work of those I admire. Then, I may just begin photographing anything. It could be a fence, the city skyline, whatever, and I try to do it in ways that I’ve never done it before. Generally, I find that pausing from my photography for a short time and then doing a project that’s very limited in scope (such as what I mentioned above) helps get me back into the flow.  

 

What 3 websites / blogs / media platforms do you visit most?

  1. Peterturnley.com
  2. Foundation Henri Cartier-Bresson (facebook)
  3. Eugene Richards (facebook)
  4. Most anything ICP (International Center of Photography) related -- I know, that’s four but….

 

What’s the one most important thing you learned through BKC?

I think to not be afraid to explore and try new things. It’s not always about lenses and f-stops; to try to allow your life to inform your photography and make a human connection through my work.

 

What do you want to learn next?

Spanish! 

 

To view more work and connect with Bob: 
@bobloudon
https://bobloudonphotography.com

PHOTOS: #BKCShoutout Maria Mammina

 MARIA MAMMINA

MARIA MAMMINA

Maria has been an active part of our BKC Community for a few years now, and has taken pretty much all of our classes.  Her interests in documentary work, particularly in current political hotbed Russia, has taken her across the world as well as deep into immigrant neighborhoods in Brooklyn like Brighton Beach.  Check out some of her work and learn about her progress below!

#BKCShoutout is a weekly check-in with our students and active BKC members, posting their works-in-progress and achievements.  We hope to learn a little more about each photographer, and share about their inspiration, process and goals.  To be considered for a future #BKCShoutout, contact Lanna lanna@wearebkc.com


Why do you make photographs?  What drives you?

I’m the traveler in my family so at first, photographs were a way to share my experiences with my far away people. Then it became a passion to learn how to make photographs well - from a technical standpoint. Now that I am comfortable with my camera, it’s to convey my ideas through an image. That’s the hardest part.

 

Who was your earliest inspiration and why?

My grandpa was the resident photographer for my family — I remember him lugging his Canon SLR (and huge flash!) everywhere when I was growing up in Florida. I think that’s what inspired me to start taking photos of everything.

 

Name 3 things that are essential to you:

  1. Quiet time
  2. Learning new things
  3. Being outside — especially near mountains or a large body of water.

 

Selected Works by Maria Mammina (click to see full view)

What makes you happy?

Cooking meals for my friends and playing with my nephew.

 

How do you prepare yourself for each day? 

Drink coffee with heavy whipping cream! But seriously my 2018 goal is to have a better morning  routine so I start the day fresh. And now that I put it in print, I have to do it.

 

What themes or ideas do you strive to communicate in your work?   

 Recently I’ve been focused on the everyday, the simple life. So much of New York City is about striving, for your career, your goals, your bank account. But in this city that values the extraordinary, the ordinary can be just as powerful and beautiful. That’s what I want my work to show.

 

Complete the sentence: I've never tried it before but I would love to ...

Write a book.

 

What do you do when you find yourself in a creative rut?

Take a class at BKC :) 

 

What 3 websites / blogs / media platforms do you visit most?

  1. Absolutely love Miller Mobley’s portraiture: http://www.millermobley.com/ (I follow him on Instagram)
  2. Eurasianet.org (where I work), and especially my colleague Danil Usmanov’s work: https://eurasianet.org/search/danil%20usmanov 
  3. The Accidentally Wes Anderson account on Instagram

 

What’s the one most important thing you learned through BKC?

Too many things to write, but what I most appreciate is slowly learning to trust my own ability and my instinct for a photograph or project. It’s taking a long time, but the membership program and classes have really helped my confidence in my work.

 

What do you want to learn next?

I’ve started learning videography, and hope to create a Docuseries about Brooklyn neighborhoods with a few talented colleagues.

 

To view more work and connect with Maria
@birdonaledge
www.mariamammina.com

PHOTOS: Summer Sparkler Portraits

Over the weekend, we had our first summer BBQ party at BKC Bushwick and celebrated the evening with some spectacular sparkler portraits. Special thanks to Andrew Oberstadt for stepping in with some colorful gels which we used to create these vibrant effects with our camera set to bulb mode.  Andrew also fashioned a really handy sparkler holder out of wire so we could easily paint around our subjects.  The result: SPARKLER SUCCESS! (and no one got burned, thankfully!)

Below, some images captured that evening by Andrew Oberstadt, Justin Lin and Shavon Meyers. 

Thank you to all for coming out and contributing to this epic evening of photo magic!  

 Photo by Andrew Oberstadt 

Photo by Andrew Oberstadt 

 Photo by Andrew Oberstadt

Photo by Andrew Oberstadt

 Photo by Andrew Oberstadt

Photo by Andrew Oberstadt

 Photo by Andrew Oberstadt

Photo by Andrew Oberstadt

Photo by Justin Lin

Photo by Justin Lin

Photo by Andrew Oberstadt

Photo by Shavon Meyers

Photo by Shavon Meyers

Photo by Shavon Meyers

 Photo by Shavon Meyers

Photo by Shavon Meyers

Carefully painting sparkle fire around our very patient subject Iris Ebert! 

PHOTOS: Psychedelic Polaroid Portraits

PHOTOS BY JUSTIN WILLIAM LIN

Over the weekend Justin unveiled his Psychedelic Polaroid Portraits, a double-exposure live portrait series deploying his last remaining packs of carefully-hoarded discontinued Fuji FP-100c peel-apart film.   Shot using a Polaroid 600SE camera with a Mamiya 127mm lens, these images seek beyond the traditional portrait and into something more personal and emotional.

"After hours of discussing and pondering the nature of portraiture with some of the other teachers, I've been trying to figure out what it is I like about photos of people," says Justin. "When we think of people, even our closest friends and family, we often see a still image rather than a fluid, lifelike memory.  I've always thought that looking at a photo of a moment changes your memory's relationship to that moment.  But for me it's not a clean, sharp image but rather a fuzzy one.  If you were to ask me to picture my mother in my mind, for example, I would have not just one image but a few overlapping freeze-frames suspended in my mind, jockeying for position."

"This serves as the basis for my double-exposure portraits, as they are the closest I can get to replicating the shifting nature of memories."  Justin continues.   "I think it's particularly relevant to use this discontinued film stock as the medium for these images, since memory is so often accompanied by loss and forgetting.   These two feelings still fill me with a certain primal fear, for which photography can often be a positive coping mechanism."

 

See the full set below:

Want to get yours done?  Contact Justin (justin@wearebkc.com) for the next Psychedelic Polaroid event coming in January!